“Iconography and the Loss of Representation.”
In The Lives and Afterlives of Medieval Art, eds. Pamela Patton and Henry D. Schilb. Series: Signa. Papers of the Index of Medieval Art 1 (University Park, PA: Penn State Press, 2021), 127-59.
“Phantoms of Emptiness: the Space of the Imaginary in Late Medieval Art.”
Art History 41, no. 5 (2018): 800-37.
In Feeling Things: Objects and Emotions through History, eds. Sally Holloway, Sarah Randles, and Stephanie Downes, Series: Emotions in History (Oxford: Oxford University Press, 2018), 27-42.
In Emotions, Communities, and Difference in Medieval Europe, eds. Maureen Miller and Edward Wheatley (London: Routledge, 2017), 121-54.
“Rocks of Jerusalem: Bringing the Holy Land Home” (with Asa Simon Mittman)
In Natural Materials of the Holy Land and the Visual Translation of Place, 500-1500, eds. Renana Bartal, Neta Bodner and Bianca Kühnel (London: Routledge, 2017), 157-71.
“Wandering Wounds: the Urban Body in Imitatio Christi.”
In “His brest tobrosten”: Wounds and Wound Repair in Medieval Culture, eds. Kelly DeVries and Larissa Tracy, 340-65. Leiden: Brill, 2015.
“Si grant ardor: Transgression and Transformation in the Pühavaimu Altarpiece.”
Different Visions: A Journal of New Perspectives on Medieval Art, special issue: Visualizing Female Sexuality in Medieval Cultures, eds. Sherry Lindquist and Mati Meyer, v. 5 (2014): 1-30
“Multiple Impressions: Christ in the Wine Press and the Semiotics of the Printed Image.”
Art History 36, no. 2 (2013): 310-37.
“Image and Performance: An Art Historian at the Crossroads.”
Research on Medieval and Renaissance Drama 51, special issue: “Opportunities in Medieval and Renaissance Drama,” eds. Mario Longtin and Jill Stevenson (2013): 5-13.